Toutes peintures ā l'huile d'Baron Jean-Baptiste Regnault


ID Image Painting(From A to Z)    Details 
96419  
Baron Jean-Baptiste Regnault, Achilles educated by Chiron
 
 Achilles educated by Chiron   Oil on canvas, 1782. cyf
75248  
Baron Jean-Baptiste Regnault, L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE
 
 L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE   Date 1786 Medium peinture X l'huile ; toile Dimensions 120 X 140 cm (47.24 X 55.12 in) cyf
81493  
Baron Jean-Baptiste Regnault, L'education d'Achille par le centaure Chiron
 
 L'education d'Achille par le centaure Chiron   L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782. cjr
76656  
Baron Jean-Baptiste Regnault, Portrait of Jean-Pierre Bachasson, comte de Montalivet
 
 Portrait of Jean-Pierre Bachasson, comte de Montalivet   1810(1810) Oil on canvas 216 ?? 141 cm (85 ?? 55.5 in) cjr
85349  
Baron Jean-Baptiste Regnault, Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
 
 Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure   Oil on canvas, 1791 cyf
81313  
Baron Jean-Baptiste Regnault, Socrate arrachant Alcibiade du sein de la Volupte
 
 Socrate arrachant Alcibiade du sein de la Volupte   Oil on canvas, 1791. H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
81647  
Baron Jean-Baptiste Regnault, Socrate arrachant Alcibiade du sein de la Volupte
 
 Socrate arrachant Alcibiade du sein de la Volupte   Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791. Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
82552  
Baron Jean-Baptiste Regnault, Socrate arrachant Alcibiade du sein de la Volupte
 
 Socrate arrachant Alcibiade du sein de la Volupte   Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
85350  
Baron Jean-Baptiste Regnault, Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
 
 Socrates Tears Alcibiades from the Embrace of Sensual Pleasure   Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cyf
90075  
Baron Jean-Baptiste Regnault, The Education of Achilles
 
 The Education of Achilles   1782(1782) Medium oil on canvas cjr
20902  
Baron Jean-Baptiste Regnault, The Education of Achilles by the Centaur Chiron (mk05)
 
 The Education of Achilles by the Centaur Chiron (mk05)   1782 Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
44050  
Baron Jean-Baptiste Regnault, The Genius of France between Liberty and Death
 
 The Genius of France between Liberty and Death   1795 Oil on canvas, 60 x 49 cm
91112  
Baron Jean-Baptiste Regnault, The judement of Paris
 
 The judement of Paris   1820(1820) Medium oil on canvas cyf
89554  
Baron Jean-Baptiste Regnault, The judgement of paris
 
 The judgement of paris   1820(1820) Medium oil on canvas cjr
98197  
Baron Jean-Baptiste Regnault, The Judgment of Paris
 
 The Judgment of Paris   1820(1820) Medium oil on canvas cyf
44030  
Baron Jean-Baptiste Regnault, The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
 
 The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd   1785 Oil on canvas, 120 x 140 cm
71806  
Baron Jean-Baptiste Regnault, The Three Graces
 
 The Three Graces   Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
20903  
Baron Jean-Baptiste Regnault, The Threrr Graces (mk05)
 
 The Threrr Graces (mk05)   1793 Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)

Baron Jean-Baptiste Regnault
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.



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